ISLANDS OF THE LOST SEA
ISLANDS OF THE LOST SEA
TEXT WORK
Untitled Text, 2024, site-specific installation, silver viynl letters on wall, approx. 144 x 144"
Untitled Text Installation, 2020, site-specific installation, remnant marquee letters on walls, painting behind door, gallery: 120" x 276" x 78"
SUNKEN CITIES
Sunken Cities, 2024, site-specific installation of stacked sandbags, variable size
STACKS OF THE UNNAMED CAVE
Detail: "Stacks of the Unnamed Cave II", Corinne Jones, 2020
Detail: "Stacks of the Unnamed Cave II", Corinne Jones, 2020
Detail: "Stacks of the Unnamed Cave II", Corinne Jones, 2020
Detail: "Stacks of the Unnamed Cave I", Corinne Jones, 2020
ISLANDS OF THE LOST SEA
"Islands of the Lost Sea" 2018, Corinne Jones, moving blankets on floor painting
Floor detail:"Islands of the Lost Sea" 2018, Corinne Jones, moving blankets on floor painting
Blanket detail:"Islands of the Lost Sea" 2018, Corinne Jones, moving blankets on floor painting
"Islands of the Lost Sea" 2018, Corinne Jones, moving blankets on floor painting
ISLANDS OF THE LOST SEA II
The Lost Sea II, 2022, stacked moving blankets, variable dimensions
Installation view, The earth leaked red ochre, featuring Lara Atallah, Simon Benjamin, Sara Jimenez, Corinne Jones, and Levani (Levan Mindiashvili). Presented at Miriam Gallery, April 14–June 12, 2022. Curated by Re'al Christian. Photo by Zach Hyman, courtesy Miriam Gallery.
Review: Brooklyn Rail
MAKE NEW WINDOWS
"Make New Windows" 2011, Corinne Jones, paint on two adjacent corners, Saint Cecilia's Convent, Brooklyn, New York
"Make New Windows" 2011, Corinne Jones, paint on two adjacent corners, Saint Cecilia's Convent, Brooklyn, New York
"Make New Windows" 2011, Corinne Jones, paint on two adjacent corners, Saint Cecilia's Convent, Brooklyn, New York
"Make New Windows" 2011, Corinne Jones, paint on two adjacent corners, Saint Cecilia's Convent, Brooklyn, New York
RES NULLIUS SUNDIAL
Statement:
Res Nullius Sundial is an intervention which invites the viewer to stand in the center of a painted 'spotlight'. The participant acts as the gnomon in the sundial. A painted arrow adjacent to the circle indicates the direction of true north (12:00). When a shadow is cast in relation to the arrow it marks the time of day. The sundial is a proposition, a space where the idea of property is suspended and replaced by the experience of a self-governed moment in the sun. The title is taken from the Latin term, Res Nullius, meaning “nobody’s property.”
"Res Nullius II"I (4:00), 2021, Corinne Jones, paint and reflective glass beads on concrete, 127 Henry St, NYC, 59" diameter
"Res Nullius III" (3:00), 2021, Corinne Jones, sundial reflected on the ceiling inside of Camera Obscura for the Analog Sunset, variable dimensions
"Res Nullius Sundial II"(3:00), 2016, Corinne Jones paint on concrete, Huling Avenue, Memphis, TN, 60" diameter
"Res Nullius Sundial II"(3:30), 2016, Corinne Jones paint on concrete, Huling Avenue, Memphis, TN, 60" diameter
"Res Nullius Sundial" 2014, Corinne Jones, paint on concrete, Elizabeth Street Garden, New York, New York, 60"diameter
"Res Nullius Sundial"(4:00), 2014, Corinne Jones, paint on concrete, Elizabeth Street Garden, New York, New York, 60"diameter
UNIQUE MUTLIPLES
Karma Chameleon, 2021, remnant mixed media on grey wall,
installation commissioned by Penn State University, approx. 120x120"
"ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
Detail view: "ONUS, ON US" Corinne Jones, 2019, transparent colored plastic and mirror film on glass, variable dimensions
"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window, approx. 51x51"
Detail view:"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window
Detail view:"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window
Detail view:"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window
Detail view:"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window
Detail view:"Double Trap, Single Use" 2018, Corinne Jones, transparent plastic on window
"Runner: for Tops at Madison Park", 2017, remnant carpet tiles, wall paint, variable dimensions
"Runner: for Tops at Madison Park", 2017, remnant carpet tiles, wall paint, variable dimensions
"Runner: for Tops at Madison Park", 2017, remnant carpet tiles, wall paint, variable dimensions