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TEXT WORK
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Untitled Text, 2024, site-specific installation, silver viynl letters on wall, approx. 144 x 144" 

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Corinne Jones, Tops Gallery, 15.jpg

Untitled Text Installation, 2020, site-specific installation, remnant marquee letters on walls, painting behind door, gallery: 120" x 276" x 78"

SUNKEN CITIES

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Sunken Cities, 2024, site-specific installation of stacked sandbags, variable size

STACKS OF THE UNNAMED CAVE
ISLANDS OF THE LOST SEA
ISLANDS OF THE LOST SEA II
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The Lost Sea II, 2022, stacked moving blankets, variable dimensions

Installation view, The earth leaked red ochre, featuring Lara Atallah, Simon Benjamin, Sara Jimenez, Corinne Jones, and Levani (Levan Mindiashvili). Presented at Miriam Gallery, April 14–June 12, 2022. Curated by Re'al Christian. Photo by Zach Hyman, courtesy Miriam Gallery.

 

Review: Brooklyn Rail

Podcast: The earth leaked red ochre: Artist Conversations

MAKE NEW WINDOWS
RES NULLIUS SUNDIAL

Statement:

 

Res Nullius Sundial is an intervention which invites the viewer to stand in the center of a painted 'spotlight'. The participant acts as the gnomon in the sundial. A painted arrow adjacent to the circle indicates the direction of true north (12:00). When a shadow is cast in relation to the arrow it marks the time of day. The sundial is a proposition, a space where the idea of property is suspended and replaced by the experience of a self-governed moment in the sun. The title is taken from the Latin term, Res Nullius, meaning “nobody’s property.”

UNIQUE MUTLIPLES
Karma Chameleon, 2021, Corinne Jones, remnant mixed media on grey wall, appox. 10x10 ft

Karma Chameleon, 2021, remnant mixed media on grey wall, 
installation commissioned by Penn State University, approx. 120x120"

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